Sin título
| dc.contributor | null | |
| dc.contributor.author | Aerne, Annatina; Universität St.Gallen | |
| dc.date.accessioned | 2018-02-24T15:05:47Z | |
| dc.date.accessioned | 2020-04-16T13:54:35Z | |
| dc.date.available | 2018-02-24T15:05:47Z | |
| dc.date.available | 2020-04-16T13:54:35Z | |
| dc.date.created | 2016-11-01 | |
| dc.description.abstractenglish | This paper examines the transformative potential of two contemporary Colombian artworks on society. The question is interesting in light of the internal conflict and a recent increased activity in the art market in Colombia. Two installations created by Colombian artists are contrasted in order to approach the question. Doris Salcedo’s Plegaria muda (2008-2010) and Ludmila Ferrari’s Cultus (2007-2015) provide an interesting basis for comparison because the two artworks differ with respect to their involvement with art institutions. The installations are juxtaposed along different dimensions: how they encourage connections amongst citizens and transcend their immediate publics by linking different audiences, as well as how they restructure space so as to introduce a different set of norms. | eng |
| dc.format | spa | |
| dc.format.mimetype | application/pdf | spa |
| dc.identifier | http://revistas.javeriana.edu.co/index.php/cma/article/view/15544 | |
| dc.identifier | 10.11144/Javeriana.mavae11-2.atpc | |
| dc.identifier.issn | 2215-9959 | |
| dc.identifier.issn | 1794-6670 | |
| dc.identifier.uri | http://hdl.handle.net/10554/24374 | |
| dc.language.iso | eng | |
| dc.publisher | Pontificia Universidad Javeriana, Bogotá | spa |
| dc.relation.citationissue | Journal of Music, Visual and Performing Arts; Vol. 11, Núm. 2 (2016): Prácticas Artísticas y Ciudad | eng |
| dc.relation.citationissue | Cuadernos de Música, Artes Visuales y Artes Escénicas; Vol. 11, Núm. 2 (2016): Prácticas Artísticas y Ciudad | spa |
| dc.relation.uri | http://revistas.javeriana.edu.co/index.php/cma/article/view/15544/Art%2015 | |
| dc.relation.uri | http://revistas.javeriana.edu.co/index.php/cma/article/downloadSuppFile/15544/6715 | |
| dc.relation.uri | http://revistas.javeriana.edu.co/index.php/cma/article/downloadSuppFile/15544/6716 | |
| dc.relation.uri | http://revistas.javeriana.edu.co/index.php/cma/article/downloadSuppFile/15544/7395 | |
| dc.relation.uri | http://revistas.javeriana.edu.co/index.php/cma/article/downloadSuppFile/15544/7396 | |
| dc.rights | Copyright (c) 2016 Annatina Aerne | spa |
| dc.rights.accessrights | info:eu-repo/semantics/openAccess | |
| dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | spa |
| dc.rights.licence | Atribución-NoComercial-SinDerivadas 4.0 Internacional | * |
| dc.subject | null | eng |
| dc.subject | null | eng |
| dc.title.english | Art’s Transformative Potential: Comparing Doris Salcedo’s Plegaria Muda and Ludmila Ferrari’s Cultus | eng |
| dc.type.coar | http://purl.org/coar/resource_type/c_6501 | |
| dc.type.driver | info:eu-repo/semantics/article | |
| dc.type.hasversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |
| dc.type.local | Artículo de revista | spa |